Fifty of Bach's four-part chorales arranged for four trombones, free to download. Full score, a book for each part and MusicXML, with Bach's harmony exactly as he wrote it.
Chorales from the St Matthew and St John Passions, the Christmas Oratorio, the motets and the cantatas, including Ein feste Burg, Nun danket alle Gott, Wachet auf and the Passion Chorale. The download has the full score, separate books for Trombones 1, 2 and 3 and bass trombone, and MusicXML files for every chorale so you can adapt them to your own group. Each chorale fits on one page, so there are no page turns. All the music is public domain and the edition is released under Creative Commons (CC BY 4.0), so your quartet can copy, share and perform it freely.
Free download · PDF + MusicXML · zip, about 2.2MB
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In the order of the church year, numbered as in the book. Each is named after its tune; where an English hymn is sung to the same tune, it is shown alongside.
Every chorale is transcribed note for note from the Breitkopf & Härtel edition of Bach's 371 vierstimmige Choralgesänge (Leipzig, 1871, edited by Alfred Dörffel), which follows the first collected edition made by C. P. E. Bach and Kirnberger in 1784 to 1787. Each one was then checked against a separate encoding of the same chorale, with the printed page deciding every difference. Nothing is reharmonised: soprano goes to Trombone 1, alto to Trombone 2, tenor to Trombone 3 and bass to bass trombone, transposed down as one block. Repeats are written out, and every pause is marked in all four parts. The provenance pages in every book give each chorale's BWV number, its number in the Breitkopf collection and where Bach used it.
The keys suit trombones: twelve are in C major, nine in D minor, eight in B♭ and most of the rest in F, G or E♭. Trombone 1 stays at or below G4 in more than half of them and never goes above B♭4. The bottom part needs a bass trombone, because Bach's bass lines go deep: most stay at A1 or above, seven reach G1 and seven reach F1.
The edition is released under Creative Commons Attribution 4.0 (CC BY 4.0). Print it for the whole section, perform it, record it, rearrange it: all allowed. The only condition is credit: The Trombone Quartet Hymnal, arr. Matthew Waters, basstrombone.co.uk.
Want more? Vol. 1 has 59 hymns and Vol. 2 has 26 Christmas carols, free in the same way.
Yes. Bach's music is public domain and the edition is released under CC BY 4.0, so you can perform, record and share it anywhere, including paid concerts, as long as you credit the arrangement.
Each chorale is named after its tune, as Bach and the 1871 edition name it. Where an English hymn is sung to the same tune, the list shows it, so you can spot A Mighty Fortress, Now Thank We All Our God or the Old Hundredth at a glance.
They are hymn-style, one chorale to a page, with Bach's inner parts kept as he wrote them, so the lower parts move more than in most hymn books. Trombone 1 stays at or below G4 in more than half and never goes above B♭4. The bottom part is for bass trombone: it reaches G1 in seven chorales and F1 in seven more.
The parts are in bass clef at concert pitch. Euphonium and baritone players who read bass clef can take the upper parts, and a tuba can take the bass part. For treble-clef parts or other instruments, open the MusicXML in MuseScore, Sibelius or Dorico and transpose.
Yes. Vol. 1 has 59 hymns and Vol. 2 has 26 Christmas carols, free in the same way, on the resources page.
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